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As soon as the first briefing is received, our teams sit down around the table to find the common thread that will determine the main guidelines of the show: references, brainstormings, sketches, illustrations, feasibility analyses.

Finding the right idea and the right angle of attack are essential steps for the smooth running of the project. Luc PETIT’s creations are to the show what haute couture is to fashion. Our mission: “to create excellence”.

This is where the texts, sets, costumes, lights, special effects, music and performances will come to life.

Stopwatch and pen in hand, the director gives final instructions to the team to give a soul to his show. Each sequence, instant, filmed by his eyes and thought will be the culmination of an entire piece.

From the conception to the 2D/3D image, the presentation of the costumes and the musical orientation, the direction takes shape until the very last moment.

This is the mindset that Luc PETIT likes in terms of finding a balance and leaving room for his creativity.

Once the various work zones have been defined, our concept artists can get to work.

This visualization process is extremely important. It allows everyone to understand the space, the atmosphere and the artistic universe of each painting. It is this image that will become the main support reference for everyone, no matter the discipline worked on.

At the end of a project, our clients are often surprised to discover how much the show corresponds to what we had designed. For us it is a guarantee of quality to deliver what has been promised to the client.

Once the projection supports have been defined, the video creation team will be able to start composing the images adapted to the chosen supports. This work goes hand in hand with the creation of the soundtrack. It also requires a good knowledge of the artistic performances that will take place on stage. The fusion of all these elements will give a single final vision to the audience and form an inseparable whole in the form of a large scene full of emotion.

Special effects are always impressive to the audience if they are cleverly integrated and not free. They always serve the purpose of the show and give it a special touch. That’s why we have a special manager for this department who works with us very early in the creative process.

As soon as the first 2D and 3D images are received, our costume designer takes charge of creating a series of characters that can be integrated into the imagination designed by the director. As budgets are not often extensible, the designer must be mischievous and sometimes customize already existing costumes to meet the director’s expectations but also to meet the financial requirements set by the production manager.

This design work is done in close collaboration with the casting department, which must indicate to the designer the technical imperatives related to the performance so that the costume does not become a constraint for the artist and jeopardize the performance.

Hairstyles and make-up are specially designed for the show. They are created in harmony with the costumes and the rest of the concept. A simple make-up can be very different depending on the light sources used. It is a job that also requires a great deal of listening to the needs of each designer.

Our projects require permanent communication between all the active poles from creation to administration. Each department will move forward in its tasks while taking into account the evolutions and the direction changes of others. Both in the offices and on the field in the last moments, changes and transformations are possible. It is therefore necessary to remain aware and to have this overall attentiveness over the long term.

Large-scale projects require rigorous organisation between the various external service providers. There is only a short step between logistics and the artistic side, since shows mean stage, music means stage management…

Our artists must know that everything is ready to welcome them just as our suppliers must understand the different needs of our artists. In addition, the days leading up to the show are often a big ballet of arrival and departure for both set-up and rehearsals. This rigorous organization must be taken into account in order to optimize everyone’s time and achieve greater efficiency.

The human aspect is the one that must be constantly worked within a creative entertainment company. When projects require several trips, weeks or months of touring, and hours of preparation, this human factor must be taken into account. The logistics involved are as important as the number of people involved in the project.

This human and technical management requires meticulous attention since it is made up of details, each one more important than the other, to ensure agreement within the team as well as physical and mental fitness throughout the process of creating and implementing a project.

The technical department covers several poles from general safety to the unwinding of electrical cables in the field. The important thing is to study the possibilities offered by the site, the venue, the building where the show will take place, as well as its physical and sound constraints. It is also important to be able to anticipate unforeseen events that would change the plans drawn up by the technical department and the list of equipment at its disposal.

Within this department, coordination between the different trades is essential, each technician/designer must have a global view of his sector of activity while integrating the specificities of each one.